Hamlet
Sunday, 17 March, that is, tomorrow,
marks the final performance of the 2016 Teatre Lliure version of Shakespeare’s Hamlet. Adapted and directed by Pau
Carrió, the long Elizabethan drama is slimmed down to a scant three hour
performance. So this production in Catalan has found ways to pare down both
text and staging to an austere minimum. As to the latter, the multiple gray
doors—mousetrap hammers?—on the (usually) brightly lighted stage are all that
comprise the set. One of them, perhaps unwisely left ajar, even serves as
“arras” behind which Polonius bites the dust. So many doors might be seen as
invoking the multiple ways this well known Shakespearean piece can be (and has
been) staged. Then there is the lighting, which at critical moments is left on above
the heads of the audience, providing a metatheatrical scrim to spice up
Carrió’s modern day dress presentation. The mirroring effect of the doors is, intentionally
or not, echoed by the fact that some of the actors play two roles, although
this could be another nod to austerity. As to the text, the dialogue is snappy,
as it must be in a successful Hamlet,
and true of course to the Lliure’s postmodernist conceptualization of
Elizabethan wit. One may (this one did) miss the Players whom Hamlet convinces
to deliver his Mousetrap lines as he
baits the king he desires to kill. The absence of the Players is substituted by
a reading (as opposed to a “play”). This is performed by some of the actors,
providing still more doubling. And the result is of course the same as in more
traditional Hamlets—Claudius spills his whiskey as he guiltily rises and rushes
offstage.
A play this well known and so often and
diversely represented obviously offers many challenges regarding both
mise-en-scène and textual choice. One might, I think, quarrel with some
features of dialogue delivery in this version. Possibly also with the outfitting
of Ophelia’s tomb. But the shortening of
the text as well as its fast-paced delivery are sound. Some tickets may still
be available… (link >>
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