San Francisco, California, August
2000. From the base of Coit Tower I looked down at a tall ship standing at the
wharf beside a ferry boat—blue Pacific, Golden Gate. And on the other side, the
Bay Bridge, the sunlight on the ocean, the asymmetric wake of something coming
in—then the pines, the Trans-Am Pyramid.
That same day, in the afternoon,
after lunch I sat in a Chinese café and drank tea and watched an earth mover
working loudly on a big construction site. Tow-Away, No Stopping Anytime the red
letters of a white sign on the chain link fence cautioned. AYKSYP (?) a
graffiti artist had tagged up.
Thus some of my notes, anyway, reworked
nearly 19 years after those moments of relaxed jotting. And that evening, in the
museum, I stood for a long time looking at Magritte’s The Living Mirror,
with its suggested voices
and silences arranged
on a canvas square.
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