Untitled

Untitled

That’s why a person

(you, I—run the pronouns here)

could use a razor blade

and

cut the outline of a second razor blade,

working carefully around the countours

on, I don’t know, kraft paper?

to precisely or precisely to

cut out a perfect outline of the model blade.

In the particular case here and now

minus several minutes

Miles is closing ‘Blue In Green’ on my

Kind of Blue CD

while the question of placement

arises.

For all that the imaginary or real

blade a person could use to cut

could be seen to cut the air now

before possibly, possibly being rested

on the table beside the support

(probably kraft paper).

Tempting to place the cut outline

centrally

as I believe Jaume Xifre does

in some of his pieces.

Place Alain Robbe-Grillet near the first cut space?

Also tempting. Alternatively

Jorge Luis Borges

(cut from photographs, drawings, even paintings)

(in either case) (in both cases).

Some penguins might then be represented.

An exacto knife (so called)

could be used instead of the razor blade. The kitchen

sink then, off, I think, to the right of the previous images,

as silence follows as it were

the CD and I (personally—see above on pronouns)

trace the outlines of

‘O joy, too high for my low style to show’,

pause, then leave it at that.

My left hand has come to rest

on my right pectoral. I look at the (silent) CD player.

Further pause, left to chin, right grasping pen.

No.